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洛阳桥
大陆其它1982
  元朝末年。清明之日,世袭洛阳侯耶律寿应邀到尼庵,饮酒作乐。他的妹妹耶律含嫣因不堪深闺寂寞,携带丫环暗自出府,到郊外踏青游春。在洛阳桥畔,恰遇猎人花云一箭双雕。她见花云英俊健壮、箭法高强,遂生爱慕之情。耶律寿回府途中,遇到民妇采桑女,见她窈窕貌美,顿生邪念。于是,他依仗权势,勾结官府,把采桑女之夫杖死公堂,并逼她为妾。采桑女悲愤难忍,欲投河自尽,被花云母子及郭广卿所救。耶律寿的暴行,激怒了花云母子及郭广卿,他们决心联合穷苦乡里,向侯府报仇。耶律夫人和含嫣得知采桑女之事,严厉斥责了耶律寿。但刁恶成性的耶律寿仍一意孤行,并以蒙汉不同族、贫富悬殊为借口,断然拒绝含嫣与花云结婚的要求。含嫣心中忿忿不平,不顾族规家法,再次暗自出府,重到洛阳桥寻找花云,终于见到了日夜思念的心上人。当花云得知她是侯府千金时,竟扬长而去。含嫣悲痛不已,既恨自己的出身,更恨兄长的胡作非为,加上她受到耶律寿的锁禁,便悒郁成疾。花母以卖野味为名进侯府探查,趁机与含嫣定计,让花云伺机混入府中相见,含嫣欣喜万分,一心等待花云的到来。耶律寿纳妾之日,郭广卿、花母等众乡邻化装成送亲的人,混进府内。这时,耶律寿已烂醉如泥,新人被安置在含嫣房中。含嫣正因不见花云到来而忧伤,见采桑女蒙头默坐,不禁对她更加怜悯,决定将她放走。没想到,蒙在盖头之下的竟是她朝思幕想的恋人花云。当他俩互诉衷情时,耶律寿酒醒找来,被花云和众乡亲捉住,得到了应有的制裁。含嫣与花云如愿以偿,结为终生伴侣。

蘑菇影视

巨人:福宾计划
美国英语1970
  Eric Braeden stars as Dr. Charles Forbin, who has created a supercomputer named Colossus, built solely for the purpose of controlling the nuclear defenses of the Western alliance. It isn't too long after, however, that the Russians announce that they too have built a similar computer for those same purposes on their side--Guardian. And when the two machines begin sharing information at a speed nobody can believe, an attempt is made to disable them.  This unfortunately just raises the machines' ire; and in retaliation, they launch their weapons at each other's home nations. The result is a chilling scenario that is potentially becoming all too real these days.  COLOSSUS: THE FORBIN PROJECT was not a big hit at the box office for various reasons. One is that its cast wasn't exactly well known. Another reason is that its ending isn't exactly a happy one. Still a third reason is that Universal had trouble trying to promote it in the wake of the huge success of Stanley Kubrick's 2001: A SPACE ODYSSEY. The latter reason is obvious: Colossus and Guardian, like HAL in the Kubrick movie, become central characters here. The difference here is that while HAL malfunctions due to a programming conflict, Colossus and Guardian remain all too stable, convinced beyond a doubt that they know how to protect Mankind better than Man himself. As the computers point out: "One inevitable rule is that Mankind is his own worst enemy."  Joseph Sargent's direction is efficient, and the special effects work of Albert Whitlock still manages to work despite its obvious age. An overlooked gem in the sci-fi genre, this should be given a revival.

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