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荣耀六十年1938
英国英语1938
  Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor

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少年讼师纪晓岚
大陆国语2008
  主要讲述的是纪晓岚青年时代的故事,由多个故事组成,以单元剧的形式拍摄。  少年纪晓岚(黄维德饰)号称天下第一才子,科举功课对他来说,已经不是问题。他爱管事,好打抱不平,并终于在一个朋友出事的时候,为朋友充当了一回业余讼师。他凭着雄辩和机智,成功地将被定成死罪的朋友救了出来。而后,在他才发现他朋友确实犯了罪,又作为受害人的讼师起诉朋友,并最终将朋友送回了监狱。  这件事后,纪晓岚却再也不能平静地读书了,他对讼师的职业上了瘾并乐此不疲……  但是,纪晓岚的讼师生涯却遭到了更大的挑战。这里边有来自糊涂官乌七(王刚饰)的糊涂断案法,还有向来以关系、门路作为讼师第一要务的吴正义(张东升饰)的挑战。纪晓岚在其后的几个案子,如富豪被杀案,假皇上案,新娘失踪案等等,都和吴正义针锋相对……  而纪晓岚最大的挑战还来自于吴正义的女儿吴师师(伊能静饰)。这个要强的女孩子熟读了所有的律法书,通晓所有的案例。吴师师虽然表面上和纪晓岚不共戴天,可实际上,两个人却惺惺相惜。两个人的爱情和争斗,在整个故事中显得极其复杂而又有趣……

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