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见习警员白忆男之初来乍到
大陆国语2015
  白忆男是刚从警校毕业的见习警员,怀揣着对警察事业的无限憧憬来到市公安局实习,初来乍到的她不料却在新搭档陆军那碰了壁。陆军对和这个菜鸟见习生搭档很是不满,两人的矛盾就此展开...他们接手的第一起案件就是一桩经济诈骗案,报案人周云鹏声称有人蓄意诈骗从自己的公司挪走了一笔资金。得知案情的两人赶赴事发地对案件展开了侦查,几经调查走访后才了解到嫌疑人犯案的真正原因,整个案件的真相浮出水面,嫌疑人与父亲联合诈骗自己丈夫的真正动机就是——孩子。嫌疑人李梅瞒着丈夫通过试管婴儿成功受孕,但是丈夫得知后认为她“背叛”了自己,坚持要与李梅离婚。李梅为了能够给自己得来不易的孩子保住一份日后的财产,不得已才与父亲商定出此下策。他们并不知道自己的行为已经构成了犯罪。试管婴儿必须是在夫妻双方一致认同、签字同意的前提下,方可进行。这个意外的小生命却成了两个家庭悲剧的开始,他们之间的矛盾也是愈演愈烈,周云鹏由于突发心脏病抢救无效不治身亡,这场家庭悲剧也就此结束。李梅父女俩也为自己的无知举动付出了沉痛的代价。在这个看似简单的案件背后体现了“信任”的重要。如果夫妻之间多些理解与信任,就不会发生这样的悲剧。这起案件给白忆男这个家境优越的85后好好的上了一课。  紧接着一年一度的技能考核即将开始,在大家准备考核科目时接到了一起盗窃案,某企业用于生产的重要原材料“金丝”一再失窃,起初以为是加工过程中的正常损耗,直到仓库盘点时才发现失窃数量巨大。二人通过了解案情把嫌疑目标锁定在了车间主任与仓管张师傅的身上,但苦于没有直接证据证明嫌疑人有作案动机,案件陷入了僵局。直到白忆男的一个意外之举才打破迷局,一名可疑的女人才走进了他们的视野,几经调看监控录像最后把目标锁定在了组装车间操作女工万红玲身上。大家断定此时嫌疑人一定急切想出手这烫手山芋“金丝”进行销赃。陆军、白忆男等人进行排查后最终找到了嫌疑人进行销赃的地点。部署好抓捕行动后将嫌疑人万红玲成功抓捕,却发现赃物“金丝”的数量不对,原来幕后的真正主谋吴明远并未露面,眼看结案时间即将逼近,万红玲却为保护丈夫吴明远拒不交代其藏匿地点,陆军等人急得像热锅上得蚂蚁,这时白忆男提出要独审万红玲,在审讯过程中白忆男抓住了万红玲的弱点冲破了其情感防线,最后她承认了一切罪行并交待了吴明远的藏匿地点。陆军等人迅速对吴明远实施抓捕,并追回了剩余金丝替企业挽回了损失。  白忆男在审讯时的机智另大家很是钦佩,也让陆军对她刮目想看。在与警队同仁的学习接触中白忆男认识到了自己的不足,也更加激发了她的斗志,她要让陆军和大家看到她的蜕变与成长。

蘑菇影视

卧龙战警
美国英语1992
  Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?  Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.  The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.  Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.  However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

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