小学生欧阳吉明的脑袋里充满着各种各样的“为什么”，这些“为什么”不是书本上的问答题，也不是百科全书上面的知识题，而是发生在小明身边的所见所闻。越来越多的“为什么”困扰着小明，他是否能够通过自己的解题方式寻找到答案呢？

　　一颗充满神秘的异域天珠，引发一连串惊心动魄的尼泊尔生死逃亡；落跑新娘撞怀功夫直男，爱情火花擦亮加德满都的夜空。刚刚出狱的武林高手、假装深情的黑道大哥、满身蛇纹的笨贼杀手、一口河南话的尼泊尔导游、一对夸张搞怪的骗子师徒……各路奇葩怪咖连环登场、奇趣交织，尽展多线索黑色幽默，在尼泊尔异域风情中上演一幕幕跨国追击的欢喜闹剧，爆笑中隐藏感动，惊险中浸润甜蜜，刺激中尽显浪漫。

　　五胡乱华时代，西蜀兵探子狄明奇（元彪 饰）幸得南海派丁引（郑少秋 饰）相救才没误入魔教，见丁引武艺高强，他大力劝其挺身而出救助天上苍生，并想拜其为师，遭丁引拒绝。丁引师弟昆仑派掌门人晓如（刘松仁 饰）在与魔教护法的打斗中被血魔附身，丁引决定带他到瑶池仙堡疗伤。　　因丁引是能让堡中冰焰 不灭的有缘人，正在闭关修行的堡主（林青霞 饰）出关救下晓如。而丁引不慎被血魔所伤后，堡主却因救晓如耗尽元气无力救助，只能将冰镜打破，冻住血魔，但众人也皆被冰封住，仅有狄明奇、晓如徒弟一真（孟海 饰）与仙堡女弟子（李赛凤 饰）逃脱。为普救天下苍生，三人决定到天刀峰寻找李亦奇女侠（翁倩玉 饰）与紫青双剑。

　　上海风云之争雄岁月剧情简介：　　故事发生在二十世纪初的上海。　　马啸天（郑少秋饰）原为一富家子弟，由于不满封建制度的条规和被卷入刺杀官员的事件中，便与仆人一起离开父母生活。从小娇生惯养的他在社会上难以生存，甚至于给人拉黄包车为生。而女友孙小东（叶玉卿饰）在上海夜总会唱歌，以她甜美的歌喉渐渐在上海滩走红。而马啸天心中也渐感自卑。　　此时，邂逅上海滩权贵曹学如的情妇，由她的推荐，马啸天开始到曹学如身边工作。而此女对马啸天钟情，为得到他不惜雇人强奸了孙小东。使得小东因感配不上啸天而接受了苦苦追求她的富豪霍家成。马啸天伤心之至，酒后和曹情妇发生关系……　　上海风云之危城岁月剧情简介：　　又是二十余年过去，马在上海滩已是权及一时而且和法国领事有着极好的关系。他的五个孩子也都长大成人。老大马一文成熟稳重，老二马一武冲动要强，老三马一财懦弱胆小，老四马一权和女儿马一梅（吴茜薇饰）都还是纯真少年。 老三马一财为了向父亲证明他的能力不幸掉进马对手的陷阱在马面前开枪自杀。马啸天找到凶手为儿子报了仇。

　　第三季《世界听我说》节目的华人讲述者来自全球五大洲二十多个国家和地区，从事着科技、体育、文化等三十多个不同行业、不同领域的工作，这之中有92岁的奥斯卡终身评委卢燕女士、非洲首位华人酋长胡介国、北美洲加拿大卑诗省议员屈洁冰......他们从不同角度展现华人在世界舞台的杰出成就及卓越风采，以深情演讲见证近百年华人历史变迁。

　　上海风云之争雄岁月剧情简介：　　故事发生在二十世纪初的上海。　　马啸天（郑少秋饰）原为一富家子弟，由于不满封建制度的条规和被卷入刺杀官员的事件中，便与仆人一起离开父母生活。从小娇生惯养的他在社会上难以生存，甚至于给人拉黄包车为生。而女友孙小东（叶玉卿饰）在上海夜总会唱歌，以她甜美的歌喉渐渐在上海滩走红。而马啸天心中也渐感自卑。　　此时，邂逅上海滩权贵曹学如的情妇，由她的推荐，马啸天开始到曹学如身边工作。而此女对马啸天钟情，为得到他不惜雇人强奸了孙小东。使得小东因感配不上啸天而接受了苦苦追求她的富豪霍家成。马啸天伤心之至，酒后和曹情妇发生关系……　　上海风云之危城岁月剧情简介：　　又是二十余年过去，马在上海滩已是权及一时而且和法国领事有着极好的关系。他的五个孩子也都长大成人。老大马一文成熟稳重，老二马一武冲动要强，老三马一财懦弱胆小，老四马一权和女儿马一梅（吴茜薇饰）都还是纯真少年。 老三马一财为了向父亲证明他的能力不幸掉进马对手的陷阱在马面前开枪自杀。马啸天找到凶手为儿子报了仇。

　　Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

　　1976年暑假的前一天，一群高中男生想著如何修理即将升上高一的新生，而高年级的女生也没闲著，她们也对即将入学的高一女生展开修理行动。在一连串折磨人的活动后，这群高年级生又转而盘算当晚的疯狂舞会……

　　即将大学毕业的摇滚青年盐野阳平（本木雅弘饰），作为寺庙的继承人，他被迫进入寺庙修行一年。他放不下的还有女朋友真朱（铃木保奈美饰），她是一名时尚的女孩，她也不希望阳平去当和尚。　　僧侣生活随即拉开，弟弟还有同是继承人身份的胖子几人也加入修行行列。一开始的修行训练相当严酷，老资历的和尚更是欺负着他们，尤其是师兄（竹中直人饰）。而阳平心里却还惦记着真朱，后来真朱来到寺庙，两人会面。　　一年时间很快过去了，阳平能顺利完成修行，高兴地回家吗？

　　Conor McSweeney 和 Jock O’Keeffe 是一对关系超好的“老铁”，也是令人挠头的两个“小罪犯”。这两人通过偷自行车戏弄警察，还和校长的女儿约会，经常把校长气得吹胡子瞪眼。Conor和Jock的小城生活既平凡，又像过山车一样时好时坏、充满了紧张刺激，但他俩始终是彼此的后盾、无条件认同对方，相信任何有一个这样的好朋友的人都会理解。