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蘑菇影视

Q版三国 粤语版
大陆粤语2003
  话说天下大事,分久必合,合久必分。东汉末年,由于汉献帝昏庸无能,引起天下大乱,历史上三国鼎立的时代由此开始。刘备(种白菜的)、关羽(剪牛杂的)、张飞(杀猪的)三人本来打算去应征当兵,谁知道被无故抓进了桃园监狱,三人一见如 故,在桃园中结义为兄弟。  出狱后,刘备一心想找个大佬罩住自己,而刘备很倒霉,所拜大佬都必死无疑!!世人称刘备为“大佬克星”,此名一出,很快就红遍大江南北。“曹记刀铺”老板曹操出于好意请刘备叫火锅“煮酒论英雄”,刘备却怕曹操加害于他,先行将曹打昏在地,仓皇逃跑之余,发现生平最爱的女人“花花”被自己丢在曹府,遂叫关羽回去营救,曹操久仰关羽大名,用“极品牛杂”令关流连忘返。  失业几年的诸葛亮巧遇刘备,竟被刘奉为天人,亮误打误撞,帮刘把生意越做越大,刘、曹、孙三分天下的格局初具雏形, 接着,亮又一手策划了三家在赤壁举行的“攀岩大赛”,在东风的帮助下,刘备大获全胜。  此三国非彼三国,《Q版三国》不像《三国演义》或《三国志》那样整天打打杀杀,想要统一全国,而是以另一种方式——生意战来取代统一战。俗话说:生意场如战场。以曹刘孙三人为代表的三大集团在生意场上大战得鸡飞狗跳,淋漓尽致。既能让人大致了解到三国的局势,又不会见到血腥,还能笑到肚子痛。

蘑菇影视

极度恐慌1983
西班牙其它1983
  PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.  We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.  PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, 

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